Gear
It's not about how much gear — it's about having the right professional gear for different gigs, sounds, rooms, and recording situations.
Restored kits
A lot of vintage kits don't arrive as complete sets. I find orphan shells one at a time — pawn shops, online listings, garage sales, even antique stores — and collect them until I have enough of the right brand, era, and model to build a matched kit. Only then does the restoration work begin.
Some show up cracked, faded, or missing hardware; others just need the right siblings to become a set again. When the pieces line up, it's teardown, repair, and building them back into something you'd actually want to play — restored, gig-ready vintage kits with a second life. Each build page follows the same format: before, the process, and the finished kit.

Full teardown, repair, and repaint — from damaged shells to a gig-ready kit.
See the build →Vintage Rogers Holiday — mid-restoration, with process and progress photos.
See the build →
1970s gold sparkle — stripped, refinished, and back together.
See the build →Vintage shells brought back to playing condition.
See the build →Matched shells torn down, repaired, and refinished.
See the build →Rare early Ludwig — orphan shells restored to a finished kit.
See the build →Original condition
Kits picked up complete and in playing shape — no rebuild required, just the right setup for the gig, the room, or the session.

Current go-to kit — green sparkle on stage and in the studio.
View photos →
Warm, versatile finish that works across rock and blues rooms alike.
View photos →Compact, punchy setup for tighter stages and smaller rooms.
View photos →
Early '70s Ludwig Standard in silver mist — classic stage look.
View photos →
Blue sparkle performer kit — ready for gig or session work.
View photos →Snares
Different depths, shells, and finishes for whatever the track calls for. The collection runs close to 60 snares — here's a sample of the variety.

Rare hand-wound fiberglass shell — bought by accident, kept on purpose. Full history and rebuild photos.
Read the story →
Brass, wood, and metal snares — a small slice of a much larger lineup, built for different rooms, genres, and recording situations.
Gone but not forgotten
Past setups from the revolving door — bought, gigged, sold, traded, or talked out of the house before anyone could count how many drum kits one person actually needs. Some were keepers. Some were lessons. All of them cost money and took up space.
I've also had more hair. 😂